Walking the Land: Petroglyphs and Pictographs

Petroglyphs and pictographs were created by indigenous people as a way to communicate. The photo below was taken in a relatively unknown area with these petroglyphs covering the walls.

The large, squiggly image at the top is a rattlesnake. The “spikes” you see at one end of her tail represent the rattle. This particular pictograph was drawn on the rock walls throughout the area. This was a way for indigenous people to tell others that the energy of the rattlesnake was prevalent in the vicinity. It is up to the viewer to decide for themselves what the energy of the rattlesnake means. The direction that the snake is facing is also important because it tells you the direction in which this energy is moving.

Snakes always represent the movement of mighty energy. This energy can be local, regional, or in some instances (though not in this location), it can be a global ley line crossing through the area. In this instance, the energies in this area are either local or regional, but that doesn’t take away from their power. This particular location is an ancient ceremonial site once used by the local tribes.

Below the snake, is a tall, human-like figure the looks slightly like an alien and next to it, a figure that appears to be a rocket. Yes, a rocket. There are paintings located here that are 10,000 years old. It’s so interesting that someone drew this pictograph of what appears to be an alien with its rocket ship. Ad astra means  “to the stars” in Latin and is a recurring theme throughout this sacred ceremonial site. Further down are seven white dots painted together in a grape cluster, telling us it is the Pleiades—a star constellation that appears from September through December.

The turtle (another theme at this site) is positioned between the alien/rocket ship and the energy snake. But it is heading in a particular direction. The head of the turtle is facing skyward and is a symbolic representation of Mother Earth.

Put together, this montage tells us that star people may have frequently visited Mother Earth from the Pleiades constellation. It also suggests that if we want, we can also visit them. Just follow where the head of the snake is pointing because that’s where the energy will lead to send you to the stars—and to this otherworldly culture who has been a frequent visitor to this  particular area on our planet.

As I mentioned before, the sentence structure of these drawings all point in one direction (the direction the snake is moving). Down at the other end of this wall, which is very long and large, is a big black circle with white light all around it. There were once two eyes and a mouth inside this circle (you can still see one eye clearly, but the other one has faded over thousands of years). The long white shaft of light coming from it represents two things. First, this is a portal (a circle). This is where the energies gather and move through this area. Which way do the energies go? Just observe the symbol as a whole. It’s actually an eclipse with the bright light surrounding the corona of the sun. As with every eclipse, there is a “ring” that appears just as the moon moves away from the sun…. And there it is, that white shaft of light pointing skywards above the eclipse.

This tells us that the circle is filled with energies moving through it (both in and out). And that the star people use this star gate/portal to visit and then leave.

If you stood in front of this portal, you would certainly feel the pull of the energies, wanting, like a vacuum cleaner, to suck you into it, and off you go through a twisting, turning tunnel of a wormhole to the Pleiades constellation where one could connect with the star people at the other end of it.

In the area where this wall is located, there have been many sightings of very tall people (8 to 10 feet tall), and several UFO sightings as well. The people who live near here have reports of seeing both beginning in the 1930s to present day.

So, you see? The communication through drawings is easy if you have the Rosetta stone as a key to tell you what each drawing represents.